Sandalstrand
undefined undefined undefined, 1927 - 1927, 470 x 540 mm
KODE Kunstmuseer og komponisthjem (KODE Art Museums and Composer Homes), Sparebankstiftelsen DNB (The DNB Savings Bank Foundation)
undefined undefined undefined, 1927 - 1927, 470 x 540 mm
KODE Kunstmuseer og komponisthjem (KODE Art Museums and Composer Homes), Sparebankstiftelsen DNB (The DNB Savings Bank Foundation)
Sandalstrand is bathed in sunlight, but the weather is about to change. Dark clouds are approaching over the mountains in the background. On the left we can see Gamlestova (the old cottar’s cabin), Kjøkkenstova (the kitchen cabin) and løa (the barn). Astrup made several woodcut versions with variations on the motif, and he also used the woodblock as part of the process in creating this painting. The motif is a mirror image, and the mountains, which are actually situated west of Sandalstrand, have now ended up in the east. One possible explanation is that Astrup may have drawn the motif directly on the woodblock, which, when printed, produced a mirror image.
1927-1927:
Nikolai Astrup
(1880-1928)
1927-1952:
Trygve Bydal
(1888-1952)
1927-1984:
Anna Engel Bydal
(1886-1984)
1984-1984-:
Randi Bydal
(1915-)
1984-1984-:
Helge Bydal
(1918-2006)
1992-1992:
Blomqvist Kunsthandel
-1994-2005:
Loge, Øystein. Betrothed to Nature. Oslo: Det Norske Samlaget, 2010.
Bergens Kunstforening. Nikolai Astrup 1880–1928. Mindeutstilling. Bergen: Bergens kunstforening, 1928.
Astrup, Christian. Jubileumsskrift: Nikolai Astrup 1880–1980. Jølster: Musea i Jølster, 1980.