Teknisk informasjon
The motif in The Parsonage in Rain is also found in another version, TBA (private collection), but here the rain creates a totally different accentuation of the motif through various colour effects. This also influences the technical, painterly execution of the painting. In this version, the sheer veil of rain conceals the colour details from our gaze, and is rendered with diluted paint, and bristly, dry brushstrokes. The other version is depicted with clearer colours and more precisely formed details – the brushwork is fuller, which give the surface a more glossy effect. There are additional examples of repeated use of motifs in Astrup’s work, but the differences are an essential feature nevertheless. He explains it as follows: “when a painter has seen a motif in many moods, – he will never resort to “making” two pictures of the same motif completely alike”.
Proveniens
1906-1908:
Kunstner
Nikolai Astrup
(1880-1928)
1908-1916:
Kjøpt på utstilling av
Rasmus Meyer
(1858-1916)
1916-1916:
Arvet av
Finn Meyer
(1892-1965)
1916-1916:
Arvet av
Gerda Nyquist
(1889-1964)
1950-1989:
Bergen kommunale kunstsamlinger
1989-2006:
Bergen Kunstmuseum
1916-current:
Rasmus Meyers samlinger
2006-current:
Kode Kunstmuseer og komponisthjem
Utstillingshistorie
Separatutstilling
1980-8-30 - 1980-9-1
Kunstnaren Nikolai Astrup (1880-1980)
Vassenden, Jølster
Katalognummer 28
Se utstilling
Gruppeutstilling
Kunstnerens notat
Hvidt hùs i skùmring og regn
"Hvidt hùs i skùmring og regn".
Bibliografi
Bergens kunstforening. Katalog over Nikolai Astrups Maleriutstilling. Bergen: Bergens kunstforening, 1908.
Loge, Øystein. Betrothed to Nature. Oslo: Det Norske Samlaget, 2010.
Askeland, Jan. Rasmus Meyers Samlinger. Bergen: [Bergen kommune], 1966.
Bergens Kunstforening. Nikolai Astrup 1880–1928. Mindeutstilling. Bergen: Bergens kunstforening, 1928.
Relaterte kunstverk
Prestegården i regn
Olje på lerret, 1906 - 1906, 660 x 1002 mm
Rasmus Meyers samlinger, Kode Kunstmuseer og komponisthjem
Foto: Dag Fosse / KODE
Teknisk informasjon
The motif in The Parsonage in Rain is also found in another version, TBA (private collection), but here the rain creates a totally different accentuation of the motif through various colour effects. This also influences the technical, painterly execution of the painting. In this version, the sheer veil of rain conceals the colour details from our gaze, and is rendered with diluted paint, and bristly, dry brushstrokes. The other version is depicted with clearer colours and more precisely formed details – the brushwork is fuller, which give the surface a more glossy effect. There are additional examples of repeated use of motifs in Astrup’s work, but the differences are an essential feature nevertheless. He explains it as follows: “when a painter has seen a motif in many moods, – he will never resort to “making” two pictures of the same motif completely alike”.
Proveniens
1906-1908:
Kunstner
Nikolai Astrup
(1880-1928)
1908-1916:
Kjøpt på utstilling av
Rasmus Meyer
(1858-1916)
1916-1916:
Arvet av
Finn Meyer
(1892-1965)
1916-1916:
Arvet av
Gerda Nyquist
(1889-1964)
1916-current:
Rasmus Meyers samlinger
1950-1989:
Bergen kommunale kunstsamlinger
1989-2006:
Bergen Kunstmuseum
2006-current:
Kode Kunstmuseer og komponisthjem
Utstillingshistorie
Separatutstilling
1980-8-30 - 1980-9-1
Kunstnaren Nikolai Astrup (1880-1980)
Vassenden, Jølster
Katalognummer 28
Se utstilling
Gruppeutstilling
Kunstnerens notat
Hvidt hùs i skùmring og regn
"Hvidt hùs i skùmring og regn".
Bibliografi
Bergens kunstforening. Katalog over Nikolai Astrups Maleriutstilling. Bergen: Bergens kunstforening, 1908.
Loge, Øystein. Betrothed to Nature. Oslo: Det Norske Samlaget, 2010.
Askeland, Jan. Rasmus Meyers Samlinger. Bergen: [Bergen kommune], 1966.
Bergens Kunstforening. Nikolai Astrup 1880–1928. Mindeutstilling. Bergen: Bergens kunstforening, 1928.
Relaterte kunstverk
Prestegården i regn
Olje på lerret
1906 - 1906
Prestegården i regn
Olje på lerret
1906 - 1906