The artist does not write directly about this painting, yet reflects on what he calls “autumn colours” in his notebook Blandede motiver (Miscellaneous Motifs). In one colour composition he juxtaposes nuances of blood red, orange, crimson, a pinkish white and blue with olive-green, yellow, olive-blue and violet. The colours were alternately matt and glossy in order to create an atmospheric effect. Some of the same effect can be traced in this painting. The colour scheme resembles that used in Farmhouse in Jølster (K25) and Autumn Rain in Mountain Village (K188). 

-1902-1905:

Nikolai Astrup

(1880-1928)

1905-1905:

Eilif Peterssen

(1852-1928)

1905-4-1 - 1905-4-30

Nikolai Astrup

Kristiania (Oslo)

[5]

1928-10-10 - 1928-11-4

Nikolai Astrup. Mindeutstilling

Bergen

119b

1956-11-2 - 1956

Nikolai Astrup 1880–1928

Stockholm

14

1987-5-23 - 1987-9-30

Nikolai Astrup 1880–1928

Åmot

9

2016-5-1 - 2016-5-5

Nikolai Astrup Painting Norway

London

11

2016-6-10 - 2016-9-11

Nikolai Astrup Norske Landskap

Oslo

11

2016-10-2 - 2017-1-22

Nikolai Astrup: Norwegen. Eine Entdeckung

Emden

11

2021-6-19 - 2021-9-19

Nikolai Astrup: Visions of Norway

6

2021-10-15 - 2022-1-23

Nikolai Astrup. Rå natur

6

2022-2-19 - 2022-5-28

Nikolai Astrup. Visioner av norsk natur

6

1929-6-1 - 1929-7-31

Ausstellung nordischer Kunst

Kiel

148

1942-4 - 1942-5

Kunst og ukunst

Oslo

43

1964-5-4 - 1964-6-6

Jubileumsutstilling 1814–1964

Oslo

72

Bergens Kunstforening. Nikolai Astrup 1880–1928. Mindeutstilling. Bergen: Bergens kunstforening, 1928.

Loge, Øystein. Betrothed to Nature. Oslo: Det Norske Samlaget, 2010.

Onsager, Søren. Kunst og ukunst i Nasjonalgalleriet. Oppryddingen april 1942. Oslo: Nasjonalgalleriet, 1942.

Storehouse in Jølster

undefined undefined undefined, 1902 - 1905, 660 x 990 mm

Nasjonalmuseet for kunst, arkitektur og design

: 2022-03-23
24624

undefined: Jaques Lathion / Nasjonalmuseet

The artist does not write directly about this painting, yet reflects on what he calls “autumn colours” in his notebook Blandede motiver (Miscellaneous Motifs). In one colour composition he juxtaposes nuances of blood red, orange, crimson, a pinkish white and blue with olive-green, yellow, olive-blue and violet. The colours were alternately matt and glossy in order to create an atmospheric effect. Some of the same effect can be traced in this painting. The colour scheme resembles that used in Farmhouse in Jølster (K25) and Autumn Rain in Mountain Village (K188). 

-1902-1905:

Nikolai Astrup

(1880-1928)

1905-1905:

Eilif Peterssen

(1852-1928)

1905-4-1 - 1905-4-30

Nikolai Astrup

Kristiania (Oslo)

[5]

1928-10-10 - 1928-11-4

Nikolai Astrup. Mindeutstilling

Bergen

119b

1956-11-2 - 1956

Nikolai Astrup 1880–1928

Stockholm

14

1987-5-23 - 1987-9-30

Nikolai Astrup 1880–1928

Åmot

9

2016-5-1 - 2016-5-5

Nikolai Astrup Painting Norway

London

11

2016-6-10 - 2016-9-11

Nikolai Astrup Norske Landskap

Oslo

11

2016-10-2 - 2017-1-22

Nikolai Astrup: Norwegen. Eine Entdeckung

Emden

11

2021-6-19 - 2021-9-19

Nikolai Astrup: Visions of Norway

6

2021-10-15 - 2022-1-23

Nikolai Astrup. Rå natur

6

2022-2-19 - 2022-5-28

Nikolai Astrup. Visioner av norsk natur

6

1929-6-1 - 1929-7-31

Ausstellung nordischer Kunst

Kiel

148

1942-4 - 1942-5

Kunst og ukunst

Oslo

43

1964-5-4 - 1964-6-6

Jubileumsutstilling 1814–1964

Oslo

72

Bergens Kunstforening. Nikolai Astrup 1880–1928. Mindeutstilling. Bergen: Bergens kunstforening, 1928.

Loge, Øystein. Betrothed to Nature. Oslo: Det Norske Samlaget, 2010.

Onsager, Søren. Kunst og ukunst i Nasjonalgalleriet. Oppryddingen april 1942. Oslo: Nasjonalgalleriet, 1942.