The catalogue raisonné project requires a systematic and methodical accumulation and review of published and unpublished material, a major source of which is Astrup’s correspondence and notes. As part of the project, all of the manuscripts have been digitised, and in addition a large portion have been transcribed and translated into English. For the present the manuscripts are available with this type of documentation in the reference software EndNote: Contact the Nikolai Astrup Research Centre for access.
The bibliography reflects the source material and contains more than 1100 references divided between the categories: Book (50), Book section (66), Catalogue (90), Edited Book (17), Film or Broadcast (10), Journal Article (52), Manuscript (96), Newspaper Article (190), Pamphlet (3), Personal Correspondence (518), Thesis (5) and Unpublished Work (3).
The Director of the project would like to thank the National Library of Norway and the University of Bergen Library for digitalising material, and the Public Library in Jølster (Municipality of Sunnfjord) for the lending of correspondence material for digitising. The Centre is continually on the lookout for new archive material, and updates the bibliography regularly.
In winter 2020/2021 an archive module will be developed, with the aim of implementing facsimiles, transcripts and English translations into text displays for the public.
The exhibition history is major source of information for the Catalogue Raisonné as it contains details about the work and information about its provenance. Since his debut in 1899, Nikolai Astrup’s art has been shown in numerous exhibitions, both in Norway and abroad. The database presents the solo and group exhibitions separately. During his lifetime, Astrup arranged four solo exhibitions and participated in 15 group exhibitions. The database is regularly updated with current exhibitions. Each exhibition is presented with dates, institution and curator, references to a catalogue, reviews and other coverage, in addition to a gallery of the exhibited works. The galleries are updated parallel to the Catalogue Raisonné.
The database contains an overview of persons who, in one way or another, were associated with Astrup. This includes persons who are mentioned in manuscripts and correspondence to and from the artist, as well as curators who have arranged Astrup exhibitions.
The database is also an essential tool in the provenance research, which is a major component of the work on the Catalogue Raisonné. The register of persons contains names, dates of birth and death, as well as short biographies and the nature of the person’s relationship to the artist. Letter recipients and persons mentioned in manuscripts will include a list of the relevant sources (a work in progress), while the owners of Astrup’s works will be supplemented with a gallery of the relevant works.
Protection of privacy is maintained according to the rules governing privacy protection and the European Union’s GDPR. The collection of data follows the principle of data minimization, while persons born up to 100 years ago remain anonymous (“Private Owner”). By utilising a declaration of agreement in the collecting and publishing of personal data, the research project seeks to give the persons involved as much control over their personal data as possible.
The database is a compilation of all the institutions that Astrup’s art is represented in, or has been exhibition in, or is relevant to his oeuvre. This includes museums, galleries, art dealers and other organisations, such as foundations or firms. The database is an essential tool in the provenance research, which is a major component of the work on the Catalogue Raisonné. Each institution is presented with the year it was founded (and closed, if relevant) and addresses. Collections of Astrup’s art also include a picture gallery.