Technical description
This is one of several paintings that Astrup considered to be a sketch. When mentioning another rainy day motif, Spring Rain and Cherries (K43), Astrup suggested that he could paint the motif in the wet-in-wet technique in order to capture the blooming trees in rain. One can see this technique in this version as well. The various nuances of green and brown are painted rapidly – before the different layers of paint had dried, thereby creating an effect where the colours appear to blend together
Provenance
1903-1908-:
Artist
Nikolai Astrup
(1880-1928)
1908-1908-:
In custody of
Ole Johannessen
(1857-1948)
1909-1939-:
Unknown acquisition method
Sigurd Høst
(1866-1939)
1909-1937-:
Unknown acquisition method
Isabella Høst
(1870-1937)
-1939-1954-:
By descent, to
Inger Alver Gløersen
(1892-1982)
-1967-1975:
Purchased by
Alf Astrup
(1901-1975)
1996-current:
Purchased by
Private owner
2008-current:
On deposit to
Griegsamlingen (Oseana Kunst og kultursenter) (The Grieg Collection (Oseana Kunst- og kultursenter))
Exhibition history
Solo exhibition
1928-11-11 - 1928-12-9
Nikolai Astrup. Mindeutstilling
Kristiania (Oslo)
Catalogue number 28
See exhibition
Group exhibition
Bibliography
Gløersen, Inger Alver. Nikolai Astrup. Oslo: Mittet & co. Forlag, 1954.
Bergens kunstforening. Katalog over Nikolai Astrups Maleriutstilling. Bergen: Bergens kunstforening, 1908.
Bergens Kunstforening. Nikolai Astrup 1880–1928. Mindeutstilling. Bergen: Bergens kunstforening, 1928.
Gløersen, Inger Alver. Nikolai Astrup. Oslo: Gyldendal, 1967 [1954].
Loge, Øystein. Betrothed to Nature. Oslo: Det Norske Samlaget, 2010.