Technical description

This is one of several paintings that Astrup considered to be a sketch. When mentioning another rainy day motif, Spring Rain and Cherries (K43), Astrup suggested that he could paint the motif in the wet-in-wet technique in order to capture the blooming trees in rain. One can see this technique in this version as well. The various nuances of green and brown are painted rapidly – before the different layers of paint had dried, thereby creating an effect where the colours appear to blend together 

Provenance

1903-1908-:

Artist

Nikolai Astrup

(1880-1928)

1908-1908-:

In custody of

Ole Johannessen

(1857-1948)

1909-1937-:

Unknown acquisition method

Isabella Høst

(1870-1937)

1909-1939-:

Unknown acquisition method

Sigurd Høst

(1866-1939)

-1939-1954-:

By descent, to

Inger Alver Gløersen

(1892-1982)

-1967-1975:

Purchased by

Alf Astrup

(1901-1975)

1996-1996:

In custody of

Kaare Berntsen Antikviteter

1996-current:

Purchased by

Private owner

Exhibition history

Solo exhibition

1908-5-3 - 1908-5-27

Nikolai Astrups Maleriutstilling

Bergen

Catalogue number 44

See exhibition

1928-10-10 - 1928-11-4

Nikolai Astrup. Mindeutstilling

Bergen

Catalogue number 28

See exhibition

1928-11-11 - 1928-12-9

Nikolai Astrup. Mindeutstilling

Kristiania (Oslo)

Catalogue number 28

See exhibition

Group exhibition

Bibliography

Gløersen, Inger Alver. Nikolai Astrup. Oslo: Mittet & co. Forlag, 1954.

Bergens kunstforening. Katalog over Nikolai Astrups Maleriutstilling. Bergen: Bergens kunstforening, 1908.

Bergens Kunstforening. Nikolai Astrup 1880–1928. Mindeutstilling. Bergen: Bergens kunstforening, 1928.

Gløersen, Inger Alver. Nikolai Astrup. Oslo: Gyldendal, 1967 [1954].

Loge, Øystein. Betrothed to Nature. Oslo: Det Norske Samlaget, 2010.